Pour Over Jazz

Blue Note session · in the studio

May 29, 1956

Kenny Burrell Quintet

Van Gelder Studio, Hackensack, NJ

In the room

The takes

1 of these 5 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
tk. 2Fugue 'N' BluesBLP 1523
tk. 3TakeelaBLP 1523
tk. 6Delilah45 · 45-1653, BLP 1523
tk. 7Get HappyBLP 1543
–But Not For MeRejected at the session
5 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

2 of them 7 albums

No.TitleLeaderYearWho
BLP 5070The Eminent Jay Jay Johnson Vol. 3 · not on the site yetJay Jay Johnson Quintet1955Paul Chambers, Kenny Clarke
BLP 1506The Eminent Jay Jay Johnson Volume 2J.J. Johnson1956Paul Chambers, Kenny Clarke
BLP 1513Detroit-New York JunctionThad Jones1956Kenny Burrell, Tommy Flanagan
BLP 1534Whims of ChambersPaul Chambers1956Kenny Burrell, Paul Chambers
BLP 1569Bass on TopPaul Chambers1957Kenny Burrell, Paul Chambers
BLP 1573John Jenkins with Kenny BurrellJohn Jenkins1957Kenny Burrell, Paul Chambers
BLP 1564Paul Chambers QuintetPaul Chambers1958Tommy Flanagan, Paul Chambers