Pour Over Jazz

Blue Note session · in the studio

August 9, 1949

Bud Powell's Modernists

WOR Studios, NYC

In the room

The takes

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
BN360-0Bouncing With Bud (alternate take 1)BLP 1532, BLP 4430
BN360-1Bouncing With Bud (alternate take 2)BLP 1531, BLP 4430
BN360-2Bouncing With Bud78 · 1567, BLP 5003, BLP 1503
BN361-0Wail (alternate take)BLP 1531, BLP 4430
BN361-3Wail78 · 1567, BLP 5003, BLP 1503
BN362-0Dance Of The Infidels (alternate take)BLP 1532, BLP 4430
BN362-1Dance Of The Infidels78 · 1568, BLP 1503
BN363-152nd St. Theme78 · 1568, BLP 5004, BLP 1503
BN364-0You Go To My Head78 · 1566, BLP 5003, BLP 1504
BN365-0Ornithology78 · 1566, BLP 5003, BLP 1503
BN365-1Ornithology (alternate master)BLP 1504
11 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up