Pour Over Jazz

Blue Note session · in the studio

May 1, 1951

The Bud Powell Trio

WOR Studios, NYC

In the room

The takes

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
BN382-1Un Poco Loco (1st take)BLP 1503
BN382-2Un Poco Loco (2nd take)BLP 1503
BN382-4Un Poco Loco78 · 1577, BLP 5003, BLP 1503
BN383-0Over The Rainbow78 · 1576, BLP 5003, BLP 1504
BN384-0A Night In Tunisia78 · 1576, BLP 5003, BLP 1503
BN384-1A Night In Tunisia (alternate master)BLP 1503
BN385-0It Could Happen To You (alternate master)BLP 1503
BN385-1It Could Happen To You78 · 1577, BLP 5003, BLP 1504
–Parisian ThoroughfareBLP 1503
9 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

The whole band 1 album

No.TitleLeaderYearWho
PRLP 7024Sonny Stitt, Bud Powell, J.J. JohnsonJay Jay Johnson's Boppers1956Bud Powell, Curly Russell, Max Roach

2 of them 1 album

No.TitleLeaderYearWho
BLP 1533Introducing Johnny GriffinJohnny Griffin1956Curly Russell, Max Roach