Pour Over Jazz

Blue Note session · in the studio

February 2, 1957

Thad Jones Sextet

Van Gelder Studio, Hackensack, NJ

In the room

The takes

1 of these 5 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
tk. 5Slipped AgainBLP 1546
tk. 6Going Off StageNot issued at the time · later on Mosaic MQ5-172
tk. 9Let'sBLP 1546
tk. 10Ill WindBLP 1546
tk. 14ThadrackBLP 1546
5 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up

Together elsewhere

The other albums at least two of these players are on together.

2 of them 2 albums

No.TitleLeaderYearWho
BLP 1513Detroit-New York JunctionThad Jones1956Thad Jones, Tommy Flanagan
BLP 1564Paul Chambers QuintetPaul Chambers1958Tommy Flanagan, Elvin Jones