Pour Over Jazz

Blue Note session · in the studio

April 28, 1958

Bennie Green Sextet

Van Gelder Studio, Hackensack, NJ

In the room

The takes

1 of these 7 takes stayed in the vault at the time: alternates and tunes that weren't issued. Switch to hear only the ones that came out on the records.

What the numbers mean

BN308-2 is a matrix number: Blue Note gave every tune it recorded the next number in one running series (BN308 is "Humph"), and the figure after the dash is which take of that tune was kept. Early on the series starts each tune's takes at 0, so -0 is usually the first try.

tk. 5 is the take as counted through the whole day, from the first tune to the last: the way the studio's log and, from the mid-1950s, Rudy Van Gelder's tapes number them. Later dates have only these.

On the earliest records (1939–40) the numbers in the matrix place, like 486A-1 or GM535-6, are the masters' numbers from the studios and pressing plants Blue Note used before it had its own series.

Matrix · takeTitleFirst out on
tk. 2Lullaby Of The Doomed 45 · 45-1709, BLP 1599
tk. 5We Wanna Cook 45 · 45-1709, BLP 1599
tk. 9That's All 45 · 45-1708, BLP 1599
tk. 12Soul Stirrin' (stereo take)Not issued at the time · later on Blue Note BST 81599
tk. 12/13Soul Stirrin' (mono take) 45 · 45-1708, BLP 1599
tk. 15B.G. Mambo BLP 1599
tk. 19Black Pearl BLP 1599
7 takes · the ones we haven't matched yet are looked up on Spotify when you make it

Where it ended up